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Metro Tunnel

Creative Program at State Library Station

Midsumma: Memory Lane

Franklin Street, May to June 2021

Midsumma is Australia's premier queer arts and cultural organisation, bringing together a diverse mix of LGBTQIA+ artists, performers, communities and audiences.

In 2021, the Metro Tunnel Creative Program and Midsumma Festival collaborated to showcase the strength and adaptability of our artists and culture makers. To commemorate Midsumma’s history, artists were invited to take a trip down "memory lane" and provide a visual representation of some of their favourite Midsumma memories.

Participating artists: Tomboy Bill, Matthew Chan, Chelle Destefano, Selwyn Hoffmann, Matto Lucas, Kyle KM, KJ, Suzanne Phoenix, Caoife Power, Lucy Weir.

Silent Disco tours

Photography by Theresa Harrison

Led by the infamous Guru Dudu, the Metro Tunnel Creative Program took participants on Silent Disco tours of the NOLA (North of La Trobe Street) precinct.

The groups shimmied and sashayed through the streets, grooving past our Memory Lane exhibition on Franklin Street as part of Midsumma Festival, as well as the State Library station sheds, exploring some of the hidden pockets of the area.

Alan Stewart: our truth, our history

Swanston Street, February 2021 to present

Photography by James Henry

About the artwork

our truth, our history asks the viewer to question the ‘truths’ that are held about this land and its first people, doing so through large-scale photographs taken across the Kulin Nations, lands within what is now referred to as Victoria. Stewart’s landscapes, exhibited within the CBD, reveal that the connection to country is as true within the urban environment as it is within the bushland he depicts. His images make a connection with memory, history and possible futures on this land.

About the artist

Taungurung and Filipino man Alan Stewart uses photography to document his family, community and personal journey as a First Nations person. Reflecting stories from his childhood – first in Manila and then in Melbourne – Alan's pictures showcase his rich Filipino and Australian Aboriginal backgrounds. Alan has been mentored by the RMIT School of Art.

our truth, our history was commissioned by Photo Australia and the Metro Tunnel Creative Program for PHOTO 2021.

Kenta Cobayashi: Photographic Universe

Franklin Street, February 2021 to present

A person in a hard hat and hi-vis walks past a colourful and distorted image on a wall

Photography by James Henry

About the artwork

Kenta Cobayashi’s photographic work is made up of two critical processes: capturing, and manipulating. A lifetime spent online and playing computer games has primed the Japanese artist to see the potential of image manipulation – a common digital activity – as an artistic tool, an opportunity “to touch this world and build rich communication with it”.

Cobayashi uses the ‘smudge’ tool of Photoshop, the tool used to drag the image “as if making a brushstroke on paint”. The effect imbues the image with a giddy, ethereal sense of movement, suspending all questions around where photography ends and processing begins.

About the artist

Kenta Cobayashi was born in 1992 in Kanagawa, Japan, and currently lives and works in Tokyo and Kanagawa. He regards photography as to question what it is to capture ‘truth’, and draws an outline of this question through a wide variety of approaches.

Kenta has had the solo exhibitions Photographic Universe, Fotografia Europe, Chiostri di San Pietro (Reggio Emilia, 2019) and Insectautomobilogy / What is an aesthetic?, G/P gallery (Tokyo, 2017). His works have been featured in major group exhibitions such as TOKYO Before/After, The Japan Foundation, Toronto (Canada 2018); Hello World – For the Post-Human Age, ART TOWER MITO (Ibaraki, 2018); and GIVE ME YESTERDAY, Fondazione Prada (Milan, 2016). His works have been added to a collection at the Asian Art Museum, San Francisco and the Japan Foundation.

Photographic Universe was commissioned by Photo Australia and the Metro Tunnel Creative Program for PHOTO 2021.

Felicity Hammond: Fault Line

Franklin Street, February 2021 to present

A man in a maks walks past altered photographic images of buildings and mountains, on a wall

Photography by James Henry

About the artwork

‘Faults’ and ‘folds’ are not just terms associated with natural geology – they are also used when speaking of financial instability. As urban centres in global cities are upturned by a global pandemic and the resulting social and economic turmoil, questions are raised about the function, meaning and morphology of these traditional meeting points.

Presented in an area undergoing vast urban transformation, Fault Line transforms the utopian renders that are often used to advertise developments. Torn and creased, the manipulated utopian render embodies the fragile surface of urban space, asking us to consider the role we play in shaping the future of cities.

About the artist

An artist and educator based in London, Felicity Hammond has developed a practice that both uses and critiques photography, fusing the photographic image with installation. Her expanded approach to photography has been widely recognised through awards such as British Journal of Photography’s International Photography Award and Foam Talent.

With an MA in Photography from Royal College of Art in 2014, Hammond is currently undertaking TECHNE-funded research in the Contemporary Art Research Centre at Kingston University, looking at digital representations of the built environment and their relationship with site. Throughout her career, Hammond has worked with major institutions including Tate Modern, The Whitechapel Gallery, The Photographer’s Gallery and The Saatchi Gallery, and her work is held in international collections.

Fault Line was commissioned by Photo Australia and the Metro Tunnel Creative Program for PHOTO 2021.

Photography by James Henry

Nico Krijno: GONDWANA BATHOLITH (1) Composition with both geological and photographic time

Franklin Street, February 2021 to present

A woman walks past a photographic mural featuring big rocks and coloured flecks

Photography by James Henry

About the artwork

A meditation on the fragility of our environment and the transience of the marks we leave behind, Nico Krijno’s GONDWANA BATHOLITH (1) Composition with both geological and photographic time brings us into a space where nature and humanity communicate together. This is a place where late-Precambrian metamorphic sandstone becomes the site of spiritual exercise, as significant and vulnerable as any sentient life.

Informed by ancient rock paintings and engravings believed to bring fortune to the hunt, Krijno’s work speaks of the ways human presence transforms a landscape – to beautiful or devastating effect.

About the artist

Based in South Africa, Nico Krijno’s photography exists at the intersection of performance, painting, montage and sculpture. He builds sculptures out of discarded materials and continues to rearrange them over and over, photographing them during this process. These photographs are then re-processed and altered again into new forms – using photoshop, paint and/or collage – creating new narratives and meaning. His explorations represent an experiment into the perceived truths of objects, and the medium of photography and its history. Reminiscent of traditional still lifes, Nico’s photographs are loaded with humorous visual information, challenging the boundaries of the still image with his ever-changing mise-en-scène. His work has been presented at Unseen Amsterdam and Photo London, and his latest book, How To Leave Your Body Behind, was published by b.frank books in 2019.

GONDWANA BATHOLITH (1) Composition with both geological and photographic time was commissioned by Photo Australia and the Metro Tunnel Creative Program for PHOTO 2021.

Home / Work

Franklin Street, February to April 2021

We invited artists from the Metro Tunnel Creative Program Artist Pool to reflect on working from home during the COVID-19 pandemic. The result is Home / Work – a group exhibition exploring how local artists, designers, performers and more forged productive, creative spaces at home during Melbourne's lockdown.

Home / Work features Nicole Bester, Naomi Bishop, Ross Calia, Veronica Caven Aldous, Matthew Clarke, Lucy Davison, Sophie deLightful, Giovanna De Silva, Leslie Goldman, Goodie, Sarah Hogan, Jasmine Holmes, David ‘Meggs’ Hooke, Tegan Iversen, Jessica Jane, Damon Kowarsky, Kristina Kraskov, Chrissie Krebs, Manda Lane, Youbi Lee, Jess Lowther, Vicki Mason, Helen Mathwin, Glenn Morgan, Michelle Odgers, Kate Pullen, Noël Skrzypczak, Beck Storer, Sally Walk, Glen Walton and Alison White.

Weekdays: NOLA

Swanston Street, November 2020 to present

Construction fencing painted in pinks, reds, golds and navy with the words NOLA and COMMUNITY and a dove holding an olive branch.

Local studio Weekdays has revitalised Melbourne's CBD post-lockdown with colourful and welcoming designs. You'll find them on Metro Tunnel construction hoardings around the State Library Station site in the NOLA (north of La Trobe) precinct.

Sarah Walker & Mike Greaney: Faces of Fringe

Franklin Street, November 2020 to January 2021

Plans scuppered. Shows with their wings clipped. This year’s Melbourne Fringe Festival was meant to look a lot different – but even though the world changed, Fringe artists didn’t stop dreaming.

Metro Tunnel Creative Program and Melbourne Fringe Festival are pleased to once again present a new series of works by local artists.

In this outdoor exhibition, photographer Sarah Walker captures Fringe artists faced with a new reality and at their most vulnerable. Artist Mike Greaney then sets them free by illustrating the plans and dreams they were unable to achieve because of, well, 2020.

These are the faces of Melbourne Fringe 2020 – photographed in reality, and let loose in dreams.


Photography by Anne-Marie De Boni

Stephen Banham: Here, There

Swanston Street, October 2020 to present

Artist statement

Here, There offers a continuous and playful typographic loop, generating a sense of endless activity, energy, time and, above all, the sense of repetition we experience as we constantly move from here to there.

About the artist

Often described as a "typographic evangelist", Stephen Banham is a typographer and educator. His typographic explorations, across some 18 books primarily centre on the cultural life of letterforms.

Banham’s design work and writings have appeared in countless international publications and design events, from Barcelona to Beirut, New Zealand to New York. A board member and assessor of the International Society of Typographic Designers, Dr Banham also lectures in typography in the RMIT School of Design.

Instagram: @letterboxtype

Photography by James Henry

Franklin Street’s new outdoor gallery space

The Metro Tunnel Creative Program commissioned Vision Australia to use recycled timber from the Metro Tunnel Project to create a series of 60 large, wooden picture frames which are attached to construction hoardings on the Franklin Street acoustic shed.

The team from Vision Australia cut the timber (which was London Plane) to size, removed all abnormalities and treated the frames with linseed oil to ensure they were suitable for outdoor use.

Vision Australia is a leading national provider of blindness and low vision services in Australia. It works in partnership with Australians who are blind or have low vision to help them achieve the possibilities they choose in life. Woodworking is one of the many programs run by Vision Australia to allow people who are blind or have low vision to pursue activities the wider community may take for granted.

The frames are on the walkway facing the City Baths surrounding the site that will be the new State Library Station. The Creative Program will commission local artists and work with local festivals to provide a rotating series of artworks in this new outdoor gallery over the next four years.

Photography by James Henry

Toni Magor: Here and Now

Franklin Street, June to November 2020

Artist statement

During COVID-19 I used paint to record the new look of familiar places, fascinated by the novel quietness of the streets, the sparsely-peopled halls of the market and the revealed fluoro presence of construction workers and delivery riders who continue to work in this corner of the suddenly tranquil city.

About the artist

Toni Magor resides and works in the north of Melbourne’s CBD.

She started painting postcards while travelling overseas in her twenties as a way of sharing her experience with friends and family back home (in the days before smart phones!).

She has practised various other forms of painting and printmaking since then and recently rediscovered her love of watercolour as a means of exploring our city during the pandemic.

Samara Clifford: Silver Ghillie


Melbourne Photographer Samara Clifford plays on the concept of ‘hiding in plain sight’ with her Silver Ghillie – a magical character based on traditional Ghillie suits used by military snipers for camouflage. But Clifford’s Ghillie is a sparkling, shining creature clad in foil. Despite this eye-catching attire, the ghillie moves about the city largely unnoticed (or wilfully ignored?) by passers-by.

The Metro Tunnel Creative Program commissioned Clifford to shoot the Silver Ghillie around some of its construction sites which, by being covered in art and design, are also ‘hiding in plain sight’.

About the artist

Graduating from Curtin University in 1996 with a BA Design (Photography) with high distinctions, Samara travelled the world, working with photographers, advertising and digital agencies for 10 years.

Producing photoshoots for record companies in London, and managing a creative team of 40 people, she also exhibited, and sold out a two person show in Belfast.

In 2009 she returned to Australia to begin her own photographic business and is now Melbourne based.

The Silver Ghillie concept was Samara’s creative response to the theme ‘Camouflage’ provided by Wunder Gym – a Collingwood based practical art program that allows creatives to extend their skills and practice through unique project briefs, artist mentorships and group exhibitions.

Instagram: @silverghillie

Katy Smits: Metropolitan Tiles


Artist statement

I wanted to create a bold and graphic pattern based on the environment surrounding the site. I took close up photos of various architectural elements from the Melbourne City Baths, RMIT buildings and the Old Melbourne Gaol. I then drew on top of these images in colours taken from the locations and created a series of motifs and elements to use in the designs.

I took a lot of inspiration from Mediterranean tiles when creating the designs. I really enjoy the bright range of colours they use, the various layouts and possibilities created from such simple shapes. I started brainstorming with rough sketches and eventually moved into Adobe Illustrator to further develop and experiment with scale, shape and transition. I thought a tile pattern would work really well within the location, with its simple but bold repeat and would be a fun and interesting way to combine all the motifs in a way that made sense of the location.

About the artist

Katy is a year 2 student with the Bachelor of Arts (Textile Design) program at RMIT. Her works feature elements of her surroundings interpreted through a variety of bold shapes and bright colours.

RMIT School of Fashion & Textiles, Bachelor of Arts (Textile Design)

The School of Fashion & Textiles brings together Design, Technology and Enterprise. The focus of the Bachelor of Arts (Textile Design) program is textile structures, surfaces, patterns, materiality and their relationship with bodies, spaces and experiences. Textile designers are inquisitive, sensory and driven by solution seeking within a broad range of textile industries and design practices.

RMIT Open Day student artwork


For the 2019 Open Day, the Metro Tunnel Creative Program showcased student artwork on the construction hoardings around RMIT.

The series of images represented the breadth of practice across the School of Art including; fine art, craft, photography and art in public space.

The School of Art at RMIT is an international site for innovative and diverse art, craft and photographic practices and research.

Kelly Koumalatsos: Benim Wile - To Cover Over with Possum Blanket


About the artwork

This work is based on Kelly’s original artwork that won the Metro Tunnel Creative Program 2D Award at Koorie Heritage Trust as part of the 2018 Koorie Art Show.

The artworks presented here are adaptions of her award-winning artwork, Benim Wile: To cover over with possum blanket, which draws on the imagery of stitched possum pelts to create imaginary blankets which are now metaphorically covering parts of the city.

About the artist

Kelly is an important visual artist working in regional Victoria. Her arts practice explores various aspects of both her Aboriginal (Wergaia/Wemba Wemba) and Greek heritage.

Kelly has been working with possum skins and possum skin imagery in her artworks for many years. From her early work recreating real possum skin cloaks, to her more recent artworks using screen printing and digital imagery of possum fur, working with the imagery of possum fur in her printmaking and installation artworks has allowed Kelly to reconnect and reclaim aspects of her Indigenous heritage.

Kelly’s artistic practice has drawn on research into historic photographic images of Koorie people from across Victoria wearing possum skin cloaks. Possum skin cloaks had a very important role in traditional Aboriginal societies, as both a means of keeping dry and warm, but also as an important cultural item, often incorporating imagery and markings of cultural significance, and handed down within families over generations.

Photography by James Henry

Miles Howard-Wilks: Transport paintings


About the artwork

These artworks of reimagined landscapes selected for the Metro Tunnel Creative Program are typical of Miles Howard-Wilks' art practice. An avid public transport user and a keen observer and lover of Melbourne, public transport and magpies, Miles has created a series of slightly surreal landscapes that pay homage to Australian flora and fauna as well as Victorian landmarks and infrastructure. After travelling by train, tram or on foot, Miles returns to the studio and paints his land and seascapes from memory.

About the artist

Miles Howard-Wilks is a multi-disciplinary artist, specialising in painting, ceramics, photography and digital art.

He has worked in the studio at Arts Project Australia since 2000 and has had several solo exhibitions andbeen in numerous group shows.

His work is held in a number of public and private collections including National Gallery of Australia (NGA), National Gallery of Victoria (NGV), Museum of Contemporary Art (MCA) and in the City of Melbourne’s collection.

Arts Project Australia is a leading studio and gallery supporting artists with an intellectual disability, promoting their work and advocating for their inclusion in contemporary art practice. Based in Melbourne, they are known globally as an innovative centre for excellence.

APA artists have been included in exhibitions all over the world and are represented in countless public and private collections.

Paola Ibarra: The Marks


Artist statement

In this work, I have invited the public to collaborate and create the art together. First, I took pictures of the people in the area, then I drew the body outlines onto wooden panel structures and finally, I took these panels to the public spaces near the site, inviting people to add tape by following three guidelines: do not cross existing lines, lines should be straight and create open lines or designs. Over six days, 180 people participated in creating the work.

About the artist

Paola Ibarra is an artist from Mexico who has worked mostly across Mexico City, Beijing and Melbourne, where she studied her Master of Arts in Public Space at RMIT. Her works are temporary and participatory installations in public spaces, using a range of colourful material such as tape, paint, and recycled materials.

Instagram: @paolaibarraart

The RMIT School of Art is known for its diverse and internationally-renowned creative programs led by accomplished artists, photographers and professional staff who strive for excellence in pedagogy, research and innovation.

Photography by Nicole Reed

Josh Muir: Josh X Muir


The Metro Tunnel Creative Program was the Major Sponsor of JOSH X MUIR, a solo exhibition by Ballarat based Yorta Yorta/ Gunditjmara multimedia artist Josh Muir, presented by the Koorie Heritage Trust in November 2018.

The artworks on these hoardings are from the exhibition which is a continuation of the artist’s journey of self-exploration in which he surprises and confounds with his colourful and chaotic digital prints on aluminium, reflecting contemporary street and pop art (including a homage to the American artist KAWS who himself began as a graffiti artist) but incorporating imagery from his own Aboriginal heritage and strong sense of place and community.

Beci Orpin: Collage

About the artwork

This artwork is a large-scale collage that features papers treated with a variety of materials – inks, gouache, acrylics, pastels, colour pencils and watercolour.

Each piece has been included for a reason: its colour, shape, texture or its connection to the site on which it appears. Architecture, local history, culture and indigenous flora are echoed within the collage in both abstract and more obvious form. The combination of old and new, made and found, reflect the growth and depth of Melbourne as a city.

The collage is designed to continually surprise the viewer – especially those who pass by often and can discover something new each time. The overall look is modern and colourful, but on closer observation the viewer will see the historical context.

About the artist

Beci Orpin is a local creative practitioner in Melbourne, Australia. Her work occupies a space between illustration, design and craft. Beci has run a freelance studio for over 20 years, catering to a wide range of clients, as well as exhibiting her work both locally and internationally. Beci’s work is described as colourful, graphic, bold, feminine and dream-like.

Beci Orpin's artwork at CBD North